Nigorimasen! Blog

As you may have heard, ADV announced on Thursday a deal with CrunchyRoll to stream dubbed episodes of the Gonzo comedy anime Welcome to the NHK! in a promotional partnership. I didn’t have any particular response to the news at first because ADV has traditionally tried to get their dubs as much exposure as possible and because it was an official partnership between the companies, with Best Buy running a short sale ad at the beginning of the first one.

However, while checking out the partnership on CR, I saw High School Girls under the “Others Also Liked…” sidebar and recognized it as the same series that Media Blasters was releasing as Girl’s High. Episode 2’s list of three pseudo-recommendations contained Hand Maid May, a Geneon title that is barely available to buy but is still, I believe, under license by the company. A perusal of CR’s anime index revealed more than twenty other anime available for streaming that are still being sold on region 1 DVD and many of them are Geneon and Media Blasters titles.
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Chris Beveridge posted a complaint Monday about the lackluster marketing and solicitation efforts of ADV Films and FUNimation to the broader non-hardcore audience. I personally haven’t had as bad a problem with on-box descriptions but I’ve had more of an issue with minimalistic ads, such as the above from the June issue of PiQ that I got in the mail late last week.

At first, I was like “what the hell is Shattered Angels?” and the one-line copy - “Why Choose?” - wasn’t helping me understand what the hell they were trying to advertise. It took a quick search engine query to divine that Shattered Angels is actually Kyoshiro to Towa no Sora under another name. (I later noticed that the image credit mentioned the production committee in the lower left corner but tiny, grey text on a white background is not very readable to the average eye.)
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Cropped from this Flickr image

This week, Best Buy is having a 50% off sale on select anime box sets. (I was tipped onto this earlier in the week from this thread on Cheap Ass Gamer but waited until now to write about it so as not to get anyone in trouble.) The titles being discounted are:

• Tokko: The Complete Series - $12.49
• Elfen Lied: Diclonius Report Thinpak- $15.99
• Noein Complete Series Box Set - $17.49
• Dragon Ball Z Season 4 Uncut Box Set - $19.99
• Mars Daybreak Anime Legends Set - $19.99
• Fullmetal Alchemist Season 2 Part 2 (ep. 41-51) - $19.99
• Neon Genesis Evangelion Platinum Thinpak - $28.99
• Samurai Deeper Kyo Complete with GBA game - $29.99 [game trailer]
• Robotech Protoculture: Collection (85 dub-only episodes) - $37.49

These prices are also now up online while some of them already backordered. I’ll going to get Noein and Tokko for sure, and perhaps Elfen Lied, and pump up my Reward Zone points in the process while also snagging R.E.M.’s new album this week. Maybe I’ll get xxxHolic #1 as well…

P.S. A warning: the Eva thinpak discs lack the extras from the singles, something I found out during my interview with Sean McCoy who had done a couple episode commentaries for #20 and #26. I believe the Elfen Lied thinpak also lacks its previous extras.

For months, various industry commentators have said Japanese publishers had to change their strategies to combat wide fansub profileration and GDH has stepped up to the plate by announcing that two GONZO titles, The Tower of Druaga and Blassreiter, will be put on three different streaming video sites (Crunchyroll, YouTube, and BOST TV) at the same time as their premieres next month. In my 2008 predictions post, I posited that a Japanese studio would release English-subbed episodes near simultaneously with its original airing  - a statement I qualified at the time as a possible “crazy failure” but I’ll take wins however I can get ‘em.

The question now is how this will be implemented on each service. The highest free quality out of the three websites would seem to come from BOST but YouTube has a boatload more traffic and reach than the other two, mainly due to its embedding option. Crunchyroll is buddy-buddy with select publishers but pretty much everyone else hates them. I’m pretty sure the subtitle text will be the same across the uploads and hopefully someone fluent in Japanese (i.e. not me) will critique its accuracy compared to fansubbed efforts. I will likely check out episodes on each service when this rolls out in a couple weeks but you can react to this right now in my first poll in a while. Anyway, this is a great step in trying to get more official eyeballs that will hopefully convert into sales and I hope that it succeeds so other studios will do something similar.

Something that has irritated me lately has been the increasing trend of DVD volumes coming with the disc inside the case and that’s it. Recent examples in my buying experience have been the regular edition of Haruhi vol. 1, Red Garden vol. 1 and Pumpkin Scissors vol. 1. Seeing the empty space on the inside left side of the case when I open it for the first time triggers a sense of disappointment because I have an expectation that there was some sense of effort put into the packaging including the inserts.
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ICv2 reported in its Guide #51: Anime/Manga that sales of anime DVDs in North America fell more than 20% in 2007 and that the estimated market size in retail dollars is $275-300 million. That drop of a fifth might seem shocking at first but once you also take into consideration a corresponding 21% drop in anime releases, the number doesn’t seem to be too much cause for alarm. The amount of releases decreased in 2006 as well to the tune of 19% so I believe the market is still consolidating through more calculated and fewer licenses. The guide writers are nevertheless optimistic about the future of anime in America based on signs we’ve heard before including a “growing awareness” among US audiences, the eagerness of US companies to shorten the gap between Japanese airings and DVD release, and those companies’ willingness to try new methods of digital distribution and lower-cost packaging.

On the manga front, it appears that 2007 was another strong year but its growth rate is beginning to taper. The profileration of new titles is still the major problem facing publishers and retailers, something that I think might become an issue for some publishers in the near future. The manga section at the Borders here in Davis almost takes up two full aisles and forced the fantasy books into another set of shelves. I personally think that the US manga market might become a bit oversaturated in the near future when I look at the projection in the ICv2 article of 33 volumes of manga being released a week but it’s just a small thought right now.

[via ANN]

Today Netflix announced that all subscribers, except for those on the bare minimum 2-discs-a-month plan ($4.99/mo), will have no restrictions on how many hours they can utilize the company’s instant watching feature, a move the company likely made to counter the expected announcement of iTunes movie rentals at Macworld tomorrow. Last month, I signed up for the lowest unlimited discs per month plan ($8.99) and thus had eight hours of instant watching per month so now I can see more movies aside from returning a disc and waiting a couple days for the next one to arrive. This news also allows for a more convenient way to watch some anime series in their entirety or at least a healthy dose of episodes. [UPDATE (1/15): Forgot to mention that instant watching still requires IE6 or higher and Windows XP/Vista. Thanks, Scott, for reminding me about the Mac crowd still being shut out from streaming movies on Netflix.]

In a cursory click-through of their listings, one can watch entire series including Mezzo, GitS: Stand Alone Complex, Gilgamesh, Comic Party Revolution TV, Jinki: Extend, and Chance Pop Session as well as large portions of series such as AIR TV (8 out of 13), Air Gear (21 out of 25), Pani Poni Dash (14 of out 26), Saiyuki (25 out of 50), Utawarerumono (14 out of 26 episodes), and Xenosaga (8 out of 12). [It seems that many of these are ADV titles but that may just be a coincidence.] Also some feature films that are available to be watched online include Perfect Blue, Blood The Last Vampire, and Ninja Scroll.

The obvious caveat is that these will be dubbed versions but for those who don’t mind that much, such as myself, this could be a good way to check some series for free if you are already a customer. However, I’m more inclined to use my now-unlimited streaming for movies and TV shows (30 Rock Season 1) since the anime selection is very limited and watching my physical library is a higher priority.

Over the weekend, the dub casts for both Code Geass and Lucky Star were announced. Johnny Yong Bosch now has another high-profile protagonist role as Lelouch and Wendee Lee will be following up her Haruhi performance by taking on Konata. There are also two overlapping actresses: Kate Higgins will voice CC in Geass and Kuroi-sensei in LS while Karen Strassman will be Kallen and Miyuki. Both titles are being distributed by Bandai with Code Geass v. 1 debuting on Adult Swim next spring while Lucky Star is TBA with 6 volumes planned and special editions in the works. I can’t help thinking how poorly Konata’s opinion of dubs would likely be, if she cared at all about them in the first place. Fuller casting details after the jump.
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Yesterday I found an online tool called the Blog Readability Test from a post on Evil Avatar that is supposed to test “what reading level is required to understand your blog”. I assume it applies some kind of reading-level algorithm after searching the front page of whatever website you type in; Mental Floss [via Game|Life] thinks it’s likely an implementation of the Flesch-Kincaid Grade Level Formula. I guess the results could be interpreted as an indicator of whether you should simplify or tune up your writing depending on if you are targeting a particular audience and who that audience is. The below results were obtaining by entering the main site addresses so readability results will very likely vary among individual full-length posts.

WARNING: This is not meant to be criticism of any particular blogger(s), but rather just as a interesting post about artificial classifications of writing. So don’t flame me, blame the formula!
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This afternoon I watched the first episode of Keitai Shoujo on BOST TV, the newly launched anime digital distribution service. (Is it pronounced bost or boost?) It was a nice quick experience considering that anime was my only option for my region (USA) - I didn’t have the privilege to pay to watch episodes of Shinigami no Ballad or Hanbun no Tsuki, although I could watch the non-credit openings for free. What these three titles have in common, though, is why I am optimistic on how this venture will affect the online anime market by giving them a chance to make overseas revenue.
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