Nigorimasen! Blog

I mentioned in one of my AX posts that I bought Rescue Me Mave-chan from Bandai’s booth for $8 (MSRP $10), a cheap price compared to the full pricing of another OVA from a different publisher, Voices of a Distant Star. It’s a spinoff from the Yukikaze series of OVAs. Does it entertain within its 25 minute runtime, especially to someone who hasn’t seen the originating work?
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When I first saw the trailer for Red Garden, I said that I would be interested in watching it and now that I’ve seen some of it, I see that there is more drama and downer moments than the horror-action-oriented trailer conveyed. I got the first DVD in the mail last week after ordering it from ADV as a part of their 15th Anniversary Sale and also received Wild Arms v.1 as a free gift. The first thing I noticed when I popped in the disc was the larger-than-usual font size on the menus. The video itself has some grain on it when watching on an LCD monitor (similar to what I experienced with Tsubasa v.1) which is kind of sad considering this is a Gonzo title, but it doesn’t show up for the most part on a CRT television.
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This month, I lived up to a “promise” I made back in August 2006 that I would buy Solid State Society when it came out. I managed to get the limited edition for $16 from Best Buy three weeks ago and decided to review all three parts of the package: the feature itself, the extras disc, and the soundtrack CD. I wrote the feature part right after I watched it (and revised it slightly recently) but I somehow managed to misplace the extras disc until a few days ago so this entire thing was delayed until now.
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I just finished watching “The Girl Who Leapt Through Time” (Toki wo Kakeru Shoujo), a movie I had been wanting to see but hadn’t gotten around it until tonight because a friend bringing it up a couple days ago reminded me about it. TokiKake was a very touching film - made me cry a couple times. My brain is still trying to think about deeper meanings while my hands are typing this so I’m not going to attempt a detailed analysis. (Besides, that would spoil it for those who haven’t seen it, right?)
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Now that I am finished with finals, I have no excuse to not trudge through my backlog of unwatched and unread anime and manga. The first of these is Moeyo Ken OVA, released in January 2005 by ADV Films. I bought this DVD in Japantown during the Cherry Blossom Festival in April for 5 bucks from a video store that was selling off previously rented anime. I bought it and figured I would give it a shot. I finally got around to watching it this past week.

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How not to show off an elfgirl poster

I ordered the Genshiken box set in late December as part of RightStuf’s Christmas sale, got it about a month ago, and finished watching it over the weekend. Before I got the anime in the mail, I had already started reading the manga and recently finished volume 2, the plot points of which are covered in episodes 2-7. It was very entertaining for me to watch as I was familiar with the various subcultures of fandom, like cosplaying and figure building, as well as the societal stigmas that such practioners may encounter in public situations.

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Fujiwara Sunao is a girl who dresses like a guy, casually rebels against the principal, and has the ability to manipulate water. She tries to keep her secret hidden while solving problems like dying birds and a single father unable to control his little daughter. Meanwhile, the class president Ikushima makes “advances” on her and the school nurse “Mr. Shizuki” has playful stalker tendencies.

I liked the stories and their morals as well as the art by author Setsuri Tsuzuki but most of the little comedy there was didn’t really connect. Then again, I didn’t expect much as it was labeled “Fantasy/Romance” so it doesn’t negatively impact it too much. I was already accustomed to woman-in-men’s-clothes gender subversion with Ouran so I didn’t have problems following Sunao but having to remember that the nurse was actually a man took a bit more work considering his pigtails. The rating of “Older Teen 16+” is applied because there are a couple pages where Sunao is naked and there is some contact between Ikushima and a fellow student.

My damn scanner was being cranky so I had to go the analog route.

I stayed up all Sunday night trying to write a paper so I read the first volume of Chibi Vampire (aka Karin) while eating breakfast at about six Monday morning. I thought it was an enjoyable introduction to the romantic comedy story of a high school girl who is a “reverse vampire”. That is, the main character Karin likes the day, hates the night, and produces blood rather sucking it from people. Her “victims” become more energized than before when they were stressed out due to her infusions. Why she is different from the rest of her vampiric family has yet to be explained but I think it will be as the plot progresses further.
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OK, this hopefully will be the final set of reviews for Haruhi character singles I will write because I’ve started to look back at how I rated previous songs in aiding me with scoring future ones and I shouldn’t really doing that. Anyway, volumes 8 and 9 of Koizumi and Kyon, respectively, finished off the ennead (group of nine) on a good note albeit with one thing that annoyed me. Also: I changed the poll question to “which MoSH character had the best single?” because the Kickoff ‘07 one has been up for about a month. Read the rest of this entry »

Every time a Haruhi character single comes out, I feel the need to review it. It’s almost like a tradition, one that I’m slowly starting to dislike. That said, I hope that the eighth and ninth volumes, Kyon and Itsuki respectively, will be the last ones because (i) the character pool is starting to look VERY thin if Lantis decides to publish a tenth volume (would Shimasen sing old samurai songs?) and (ii) Kyon’s sister underwhelmed me. Also, I enjoyed the Haruhi drama CD even though I couldn’t understand much of the spoken dialogue. Read the rest of this entry »